The Way

When were you ever content to stay in just a single

room in your house? You used to poke and

wander into every corner– from the cellar, with

its solitary spiders in their cottony webs, the

rusting saws and hammers and families of mice,

up into the attic, with its treasure of enigmatic

boxes, empty suitcases and someone’s wedding

tux and wedding dress pressed together in a plastic

bag beneath a rain of dust that sifted down like flour

from the rafters.

 

But then one day you noticed that the walls began to

splinter and collapse. You pulled down the beams one

by one and let the roof cave in. You watched the shingles

burst into the air like a flight of crows. You let the

wind blow the rugs and chairs away, the refrigerator

too. You gave away the doors and windows to

someone in Berlin you thought you loved and the

back porch to the friend in Barcelona, the one whose

hands turned into water every stone that still remained

inside your heart.

 

When you had finally flattened all the walls and

the house was at last a house no more,

when your fists had finally opened,

then snow poured in and moonlight, and tiny

blackened stones from Dresden, and a storm of leaves

that has been falling for a thousand years.

then you found the path that is no Path, the road that never

was a road, only light that flickers on the sand—or was it water?

Only dancing, and the sound of someone singing.

Only a song.

© 2010 J.M. Keating

The President

In a remote corner of the Republic

far from the burning capitol

under clouds the color of iron

a well-tailored suit

that tries to keeps the cuffs of its pants

from getting muddy

staggers across a snowy field

toward a forest.

Church bells in the distant village

and the sounds of peasants

sharpening their scythes and billhooks

are drowned out by a swarm of crows

who ridicule the suit because

it’s empty and all that’s left of its

former dignity are a few decomposing

medals pinned to its lapel.

© 2010 J.M. Keating

The Crime of Love

No one is driving the yellow cab that brings the Cat from the turmoil

and racket of the city to the quiet edge of the forest.

She watches the taxi’s taillights and its non-existent driver disappear into a

curtain of fog and rain. The people of the village watch it– and her– as well.

She ignores them but feels Raven watching her, although she does not

see him high above her on his perch at the edge of a thundercloud.

He watches as she hunts for dinner and he thinks about the memorable

meals she has cooked for him, especially his favorite: salamander soup

and moss salad with pine bark croutons, followed by a main course of field mouse pizza and a bottle of Tempranillo from the foothills of the Pyrenees.

Night descends, the rain and fog evaporate, a half-moon rises over forest, fields and rooftops, and a blue glow emanates from the windows of

every house in the village. Raven swoops down from the sky to be

embraced by his lady love, who ties a napkin underneath his chin.

For dessert she serves gelato made from toadstools and then she lets him lead her to their bed of leaves in the highest branches of the tallest oak of the forest.

They have been in love for several months and their fellow creatures of the woodlands have become accustomed to their dancing together in the treetops.

The humans who inhabit the village however, disapprove of interspecies romance and have enacted many laws, prohibitions and commandments.

On Sunday mornings the churches of the village bulge with prayers and hymns to save the souls of the blissful criminals, but in the evening the

villagers turn toward home and lock their doors. High in their oak tree nest the Raven

folds the Cat into his wings and they whisper silly things to each other.

Before they fall into their dreams they thank the gods that the villagers love television more than they hate the love that dares not speak its name.

© 2010 J.M. Keating