Ripley Morning

Ripley Morning – Watercolor – 21 x 29 inches.

A few months ago, there were no boats in this water, no piers stretching out their wooden arms, no canoe, only bare trees shuddering under the weight of winds from the North. A thick slab of gray ice covered this water, and a foot of snow covered the ice.

A long time ago — in the months of summer, at least — I thought this lake was the center of the World. School and teachers did not exist, homework and my paper route did not exist. Parents existed, but only on the periphery of the lake and trees and sunlight and thunderstorms. My fishing rod existed, and a canoe, and a few brothers, sisters and cousins. A girl existed too, but only in my hometown, which during summer months did not exist.

This watercolor is only a fragment of a memory. The sun has scarcely risen and we can hear waves slap against the shore and the murmur of crickets and frogs, but we can’t hear the crows in the cornfields on the far side of the trees. Children are still sleeping in the cottages nearby, but not for long. We’ll hear their cries and laughter throughout the rest of the day. Quiet will return at twilight when mosquitoes and fireflies emerge out of the dark and bats dart and swoop over the lake. Soon the children will be asleep again.

Tomorrow the sun will rise above the trees in this little corner of this little lake. Slowly July will pass into August and then into September. We’ll return to our hometown to find that it’s still there, just as we left it. Except perhaps for the girl.
Eventually we’ll learn that Summer has a twin who’s dressed in ice and snow, but still as beautiful as our imaginations can imagine.

Snow in March

Spring Snow – Watercolor – 11 x 14 inches.

Two days after Christmas, a storm ripped through this part of the Sierra Nevada foothills. It destroyed powerlines, toppled oak and spruce trees onto cars and houses and buried roads under tons of snow. But January and February were mild and dry; not a drop of rain or flake of snow fell on us.

Then a few days ago, on the first Saturday in March, we woke up in a cold, white world. I went outside to feed the birds and noticed a cluster of daffodils bent under the weight of snow. When I painted them four winters ago, there were only two flowers. Now there are six.

I wanted to paint them again, but there was some task to accomplish, some place to go that seemed important. So all I can offer now are these two yellow bells, and a few green fingers sprouting up out of the dirt. And yes, the promise of another Spring.

La Calle del Hospital

La Calle del Hospital – Watercolor – 21 x 29 inches.

Spaniards are notorious for staying up late. Dining at nine o’clock at night is normal, and more than once, I’ve been in the presence of a family with small children pulling up their chairs for dinner in a restaurant well after ten o’clock.

However, not all Spaniards enjoy wandering around a city in the night. My friend Paco does, and I’m grateful to him for it. He has been a superb teacher, not only in the customs of this ancient country, but also in the intricacies of the Spanish language and in the geography of Valencia, the Mediterranean port where he has lived the greater part of his life.

I painted this watercolor years ago, before we became friends. At that time, I too loved to walk in the nights, carrying a sketchbook and a camera, wandering around without aim, paying attention. The Barrio del Carmen was full of old homes like you see in the painting, most of them empty and abandoned, most collapsing beneath the weight of years and memories. These old places were mysterious, sometimes sinister, sometimes menacing, but they had been homes, so I painted them.

The last time I was in Valencia, Paco and I wandered around in the old barrio during the night. We passed by this corner of la Calle del Hospital. I took a photo or two and was going to insert them here in this post, but the heart I remembered had long since left this corner. I lost heart too. The street, the lights, the building were all new and shiny, as if they were made of plastic. They looked like every other new street corner in the city, like new street corners almost everywhere.