The House of Bernarda Lorca

The House of Bernarda Lorca – Watercolor – 21 x 29 inches.

Two months before he was assassinated in 1936, Federico García Lorca finished writing his last play, “The House of Bernarda Alba.” It’s a drama of cruelty: a family of women imprisoned in their home in a village in Andalucia by Bernarda, the dominating matriarch of the family. Allegorically, the House was Spain itself. Like Janus, Lorca evoked the subjugation of women in the past and also prophesied what life in Spain would soon become for them, and for everyone else as well.

Who murdered the poet? Evidence points to official orders of right-wing military authorities under the command of General Francisco Franco. Franco’s forces had overthrown a liberal democracy in order to turn back the clock three hundred years to conservative, religious Spain. During Franco’s dictatorship, (1939 until his death in 1975) socialists, radicals, intellectuals, communists, free-thinkers, liberals, homosexuals, atheists, the insufficiently-pious and other “progressives” were murdered by the thousands. Since 2000 more than 735 mass graves, containing the remains of some 9,000 people, have been opened. Officially, 114,226 people are still missing. García Lorca’s body has never been found. Franco’s malignant ghost still haunts Spain.

This night scene was not painted in Andalucia during the Civil War, but on a street corner in Valencia more than fifty years later. Its subject is neither the dictator nor the poet, only a little girl, alone on her bicycle. She’s lost in a world of her own and not aware of the men with guns, at least not yet. Would it comfort us to hope that the men are marching on the street in order to protect her?

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Fall Road

Fall Road – Acrylic/canvas – 28 x 44 inches.

In old Celtic tales, “summer goes to its rest” in autumn, and the “darker half of the year” begins. Here, a man and his dog walk along a deserted road. Everything looks innocent enough. That’s because the sun shines on trees and fields and cozy houses in the distance.

But it won’t be long before a special night arrives. Then, in darkness, invisible curtains that separate the worlds will open, and spirits from under trees and fields will stalk this road looking for souls who are alive.

The ancient Celts called this night “Samhain” and took care to dress up like monsters or animals to dissuade the spirits from the world below the earth from kidnapping them.

The man enjoys a warm afternoon stroll. Ever alert to danger, the dog senses something and stops to listen.

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Firecracker Flowers

Firecracker Flowers – Watercolor – 11 x 14 inches.

Throughout the history of human beings, flowers have had to bear the burden of being symbols of something other than merely being flowers. Angels, for instance, have not been able to simply exist as angels, but have also had to be symbols of invisible forces, messengers of various Gods, guardians of humans, et cetera.

Flowers suffer the same fate: Beauty and Spring and the Brevity of Life are obvious examples. Alchemists have called meteorites and shooting stars “Celestial Flowers.” (Have you ever wondered why there are so many paintings of peonies in Asian art? One reason is that peonies symbolize vulvas. There, now you know.)

Aside from the most obvious associations of yellow flowers with the sun and red flowers with passion and blood, my own favorite flower symbol is the “Mystic Center,” that is, an archetypal image of the Soul. But when I’m actually drawing and painting flowers, I never think of what they symbolize. I just try to honor their presence as beautiful gifts from somewhere that poke their paths out of dirt in search of sunlight, bringing moments of joy into the lives of their fellow creatures on this earth – us.

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