The Mórrígan and Cúchulainn

The Mórrígan and Cúchulainn – watercolor – 7 x 10 inches
Once upon a time, a goddess decided to appear as a crow and alight on the cradle of a warrior. Why, we wonder, do divinities bother to manifest themselves in human or animal forms? There is no answer: They are divine and so they do as they wish. It is left to us to deal with the results.
The Mórrígan is a goddess of war-fury and battle-death, an ominous figure in the world of the ancient Celts. The infant is Cúchulainn. In stories of ancient Ireland, he is the ultimate warrior hero.
During his short life he will encounter her in many forms — most importantly years later when she appears as a lovely girl in a flowery dress and offers herself to him. He ignores her and says he is busy with wars and has no time for “women’s behinds.”
Naturally, she resolves to kill him. “It will be worse for you when I go against you as you are fighting against your enemies. I shall go in the form of an eel under your feet in the ford so that you shall fall… I shall drive cattle over the ford to you while I am in the form of a wild she-wolf… I shall come to you in the guise of a heifer… yet you will not see me in front of you.”
Still he ignores her, too young perhaps to realize that he is no match for her, no matter how powerful he is — or thinks he is.
In his last battle, he ties himself to a pillar stone so he can die standing up. Of her thoughts as she perches on his shoulder to watch him leave this world, we don’t know. Nor his thoughts. So we’re left with our own.
What would happen if we said “yes” to divine beings? Eve says yes to the serpent; Dr. Faustus says yes to Mephistopheles; Job says yes to the angel. What if we said yes to forces greater than ourselves?

As Rainer Maria Rilke ends Der Schauende:

“Winning does not tempt that man.
This is how he grows; by being defeated, decisively,
by constantly greater beings.”

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La Mezquita

 

La Mezquita – Watercolor – 21 x 29 inches

 

If you travel to Córdoba during the summer months it’s best to arrive after the sun sets. But even after dark — and throughout the night — heat prowls through the streets of the city like a white panther as the stones exhale the heat of today and yesterday and the day before that. Heat sleeps only in the early morning hours, and only for a little while. That’s enough time for these friends to sit for a few quiet moments in the shade in the Courtyard of the Orange Trees.

They don’t talk much. Then one says, “According to the news on television, everyone in the world will soon live in Córdoba whether they are here in Spain or not.”

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A Girl With Six Names, Maybe Seven

A Girl With Six Names, Maybe Seven – Watercolor – 21 x 29 inches.
A little girl is growing up. We can’t see where she might be going. She’s not certain either. But she, precocious child, is beginning to imagine there is more than one of her.

One of her selves knows that her bike will soon become a motorcycle, then a fishing boat and eventually a helicopter. Another self will resentfully nurse a dying man. Yet another will sing and play the piano poorly. A fourth will emigrate to Copenhagen. All her selves except one will love animals, especially dogs.

She’ll discover that in her heart there are many rooms, one for each of her names. None of the rooms have walls or ceilings. Her selves will enchant many men and women but not need them to feel complete. Three selves will shine as a muses for a painter. Another will inspire a politician, but not one of them would ever dream of marrying one.

She’s old enough to have felt the sharp edges of envy and hatred, but we can’t help that. In a moment she and her selves will disappear around the corner, riding into worlds they, and we, are just beginning to imagine.

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More images and reflections on my website: johnmichaelkeating.com