April Snow

April Snow
Watercolor – 11 x 14 inches.

I admire the strength of daffodils pushing their green fingers up out of the cold earth. The little yellow creatures won’t last long. But as Mary Oliver points out, “I think this is the prettiest world—so long as you don’t mind a little dying….” #artzone #art #contemporaryart #artistsoninstagram #art #arte #contemporarypainting #artforsale #realisticart #fineart #visionaryart #painting #modernart #artist #artdaily #visualpoetry #artlover #kunstwerk #watercolorpainting Source: http://bit.ly/2P1BaPt

Ghosts of Columbus

Sometimes people ask the oddest questions. For example: “Do you draw and paint every day, or only when you are inspired?” What, I wonder, is the assumption underlying the question? That artists laze around, waiting for Inspiration to arrive like a package in the mail from Amazon? My answer is: “I work in the studio five or six days a week. I draw nearly every day and paint as often as possible. If Inspiration happens to visit, I consider myself fortunate.”

But this answer avoids a more interesting implication of the question. What in the world is Inspiration, anyway? I’d like an answer, but I don’t have one; Inspiration is a mystery. However, I have some thoughts about it, but first, let’s have a story.

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This Morning Long Ago

Doctor DeGroot was puzzled. “Most of my patients are professionals: accountants, engineers, attorneys, business executives. One’s a mathematician. Something they all seem to share in common–other than having cancer, I mean–is that they think there must be a solution to their situation. I’m their doctor, so they expect me to provide it.”

“Why do you think that is?”

“I’m not sure, but I think a lot has to do with their professions. They’re solution-oriented people. They get paid to provide answers. Cancer is a problem. So there must be a solution. They want clear-cut answers. They don’t like ambiguity. But you, in contrast, seem to be comfortable with it. Why is that?”

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